This Door Was Intended Only For You

Before the law, there stands a guard. A man comes from the country, begging admittance to the law. But the guard cannot admit him. May he hope to enter at a later time? That is possible, said the guard. The man tries to peer through the entrance. He’d been taught that the law was to be accessible to every man. “Do not attempt to enter without my permission”, says the guard. I am very powerful. Yet I am the least of all the guards.

From hall to hall, door after door, each guard is more powerful than the last. By the guard’s permission, the man sits by the side of the door, and there he waits. For years, he waits. Everything he has, he gives away in the hope of bribing the guard, who never fails to say to him “I take what you give me only so that you will not feel that you left something undone.” Keeping his watch during the long years, the man has come to know even the fleas on the guard’s fur collar.

Growing childish in old age, he begs the fleas to persuade the guard to change his mind and allow him to enter. His sight has dimmed, but in the darkness he perceives a radiance streaming immortally from the door of the law. And now, before he dies, all he’s experienced condenses into one question, a question he’s never asked. He beckons the guard. Says the guard, “You are insatiable! What is it now?” Says the man, “Every man strives to attain the law. How is it then that in all these years, no one else has ever come here, seeking admittance?” His hearing has failed, so the guard yells into his ear. “Nobody else but you could ever have obtained admittance. No one else could enter this door! This door was intended only for you! And now, I’m going to close it.”

– Franz Kafka

1 comments On This Door Was Intended Only For You

  • Yes, Franz Kafka. And also Jorge Luis Borges. The Remote Cause. In 1517, Fray Bartolome de las Casa, feeling great pity for the Indians who grew worn and lean in the drudging infernos of the Antillean gold mines, proposed to Emperor Charles V that Negroes be brought to the isles of the Caribbean . . . W.C. Handy’s blues. . . the success achieved in Paris by the Uruguayan attorney-painter Pedro Figari; the fine runaway-slave prose of the likewise Uruguayan Vicente Rossi. . . the inclusion of the verb lynch in respectable dictionaries . . . the mythological stature of Abraham Lincoln. . . the half-million dead of the War of Secession . . . the cross and serpent in Haiti . . . the habanera that is the mother of the tango. . . . and yet another thing: the evil and magnificent existence of the Cruel Redeemer Lazarus Morell.

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